Don’t just sing.
Be magnificent.
THE MAGNIFICENT SINGER.
For those who suspect their singing has a more interesting future.
Sing with style. Turn ideas into songs, performances and projects.
Central London · Online
THE MAGNIFICENT SINGER.
For those who suspect their singing has a more interesting future.
Sing with style. Turn ideas into songs, performances and projects.
Central London · Online
Your voice can’t yet do everything you want it to.
You have plenty on the go, but none of it excites you.
It's only the shower that hears you sing.
You think you’ve left it too late.
You have ideas, but nothing to show for them.
You're waiting until you're "ready".
You’re too established to risk moving in a new direction.
You have absolutely no idea what you want to do next.
Performance and attention are real pleasures. They are not the only rewards of singing.
Some singers particularly love the learning and the craft.
Some love experimenting, imagining and dreaming up ideas.
Some love making recordings, arrangements, shows and other things that did not exist before.
Some come alive in front of an audience.
Some love what happens when they sing with other people.
Most of us move between them. And it is perfectly possible to enjoy one part of the journey more than another.
None of these is the final summit.
But every part develops something useful.
Experimentation keeps you from committing too early to the wrong idea.
Curation helps you choose your own projects instead of spending your life realising everyone else’s.
Craft brings depth.
Experience gives the work something to draw upon.
Visibility opens possibilities, connections and opportunities — for you and sometimes for other people too.
Purpose gives all that attention somewhere worthwhile to go.
✦ TECHNIQUE.
Sound like you, only better. Identikit singing is not the aim. Get the vocal control to bring out more of your voice — so you can confidently sing the songs you love.
✦ DIRECTION
A good voice is not a plan. Answer the maddening question: what should I actually do with my singing?
✦ PIANO
Put your singing in the driver’s seat. Move beyond a few random chords and pieces. Perform, write, arrange and direct rehearsals without always needing back-up.
Your imagination could take your singing somewhere magnificent, if you let it.
A late-night jazz trio inspired by 1960s spy cinema. Original songs for guitar, stompbox and voice, filmed live. A ’70s Californian soul-and-strings EP. Choral for Care — a chorus of dog devotees singing for the local community with guide dogs to sponsor. An invitation-only ’80s rock soirée for grand piano and voice.
Your plans may be modest or world-conqueringly ambitious. Either way, it all begins with one good idea. Start your art.
— DAVID BOWIE
There’s no one way to be a singer. Easy to say. Slightly trickier when trying to figure it out. The Magnificent Singer Map helps you find your version, rather than borrowing everyone else’s.
Singing is not just about singing.
A voice matters. But so do the songs you choose, the way you phrase them, the sounds you build around them, the people you work with and the places you choose to put the music.
Singing involves technique, certainly. It also involves taste, personality, emotional meaning, imagination, collaboration, musical judgement and the nerve to make bold choices.
A secure vocal technique is a marvellous thing — more freedom, more choice and far fewer moments of wondering whether that note has personally declared war on you.
But technique is not the only form of artistic currency.
It won’t choose the song. It won’t make the song yours. And it definitely won’t decide what you are doing with your singing next.
I grew up around choral music, reluctantly sawed my way through several cello exams, then made a last-minute swerve onto bass guitar to study jazz at music college.
It took me years to move from the formality of classical music into the creative freedom of pop, soul, funk, jazz and Latin music. Gradually, the different parts came together, and I now sing and play piano professionally.
Alongside performing, I’ve spent more than twenty five years teaching singers. The Magnificent Singer grew from the belief that singing becomes far more interesting when technique, musicianship, individuality and artistic curiosity develop together.
— Elizabeth, Founder of The Magnificent Singer
Former Head of Vocals at the London College of Creative Music. Former Visiting Lecturer at the University of Westminster. Fifteen years teaching singing at BRIT Kids, including one year as Acting Director. First-class Graduate Diploma in Jazz, Leeds College of Music. Postgraduate jazz study at the Guildhall School of Music & Drama
Currently in London
2 singers · 2 pianos · 90 minutes · Central London