Name
*
Email
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āØQ1. Are you able to name all the notes on the piano keyboard?
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Always
Often
Sometimes
Rarely
Never
āØQ2. When teaching a pop, musical theatre or other commercial style song, do you adapt the accompaniment so it sounds authentic and inspiring to sing over ā or do you play exactly as written?
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Always
Often
Sometimes
I mostly use tracks
I'm lost with sheet music
āØQ3. Do you have at least 5 vocal warm-ups you can confidently play in any key on the piano?
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Yes
Just about
No
āØQ4. Can you confidently break down vocal melodies on the piano when students need help?
Yes
Usually
Sometimes - it depends on the style and key
If VERY simple
No
āØQ5. Do you feel comfortable playing piano in front of parents, other teachers, students, and colleagues?
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Always
Often
Sometimes
Rarely
Never
āØQ6. Do you see piano as a key part of your professional toolkit, happily using it online, for exams, auditions, in live concerts/shows, or open mics to attract new roles and job opportunities?
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Always
Often
Sometimes
Rarely
Never
āØQ7. Are you relying on backing tracks because you donāt feel confident leading from the piano?
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Always
Often
Sometimes
Rarely
Never
āØQ8. Do you avoid tricky keys or transpose songs down to āpiano-friendlyā ones?
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Always
Often
Sometimes
Rarely
Never
āØQ9. Do you stick to reading sheet music exactly as written, instead of creating on the spot accompaniments that work to bring out the best in your students?
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Always
Often
Sometimes
Rarely
Never
āØQ10. Are you spending more time than you'd like learning piano pieces instead of the piano skills you need to teach singers?
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Always
Often
Sometimes
Rarely
Never
āØQ11. Do you avoid teaching harmonies, leading workshops or putting yourself "out there" because of the gaps in your piano skills?
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Always
Often
Sometimes
Rarely
Never
āØQ12. Do you feel like ājust another singing teacherā because you havenāt claimed your specialist identity?
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Always
Often
Now and again I worry I might not be doing a good job, but mostly it's okay
I get anxious if compared to other teachers
I hadn't thought about my teaching in this way before
⨠Q14. What drives you mad (or makes you sad) about your current piano skills?
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Tick any that apply
I can read notation and play to a fairly high standard, but Iām not sure how to use the piano to teach!
It takes too long to work up a song for accompanying my students
I have to use YouTube and tracks for my teaching MUCH more than Iād like
Iād love to tailor Vocal Warm-Ups to my students, instead of just playing the standard patterns
Iām a good singing teacher but I feel I could offer more if my piano was at a higher level
Everything I play sounds clunky and just not very good!
Iāve tried to learn the piano in the past and given up
I can play a basic song accompaniment, but I'd love more rhythmic options
Beyond basic triads, chords are a mystery
I need to direct a choir by myself
Secretly, I feel like a bit of an imposter because there's this gap with my piano
Keeping going!
I never had the opportunity or made the effort to learn piano
I tried to teach myself from YouTube but I lost motivation
I had a piano teacher, but although I definitely improved, I STILL can't play for teaching
Something else (add below)
⨠Q15. If piano felt as easy as singing, what would you feel confident and ready to do?
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Tick any that apply
Iād create more original warm-ups or mini vocal Ć©tudes tailored to each student
Iād improvise intros, outros and embellishments in the lesson, to draw of the phrasing, song interpretation and live performance skill of my students
Iād teach with more style and imagination ā not just the same old things
Iād stop apologising for ājust playing the chordsā
Iād take more creative risks and make lessons/workshops more fun and memorable
Iād trust my musical instincts more than YouTube
I'd put myself forward much more, and stop hiding away
Something else (add below)
⨠Q16. Where does your piano gap limit your teaching ambitions, your confidence, or your artistic ideas?
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For example: I'd love to direct a show or a choir but I hold back from applying. Or, I would be much more confident in marketing my studio and sharing what I do.
⨠Q17. Wave that magic wand: where would you love to be with your piano in 90 days?
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Tick any that apply
Reaching out for new students and/or applying for jobs
Being able to lead vocal warm ups from the piano
Being able to confidently lead rehearsals from the piano
Being able to accompany students in pop and musical theatre style songs
Being able to break down the song melody for my students
Just a feeling that I know what I'm doing!
Being able to personalise vocal exercises to help advanced students with phrasing, riffs and embellishments
Something else (add below)
⨠Q18. In your daydreams, what kind of singing teacher would you love to be ā if skill, time, or confidence werenāt a problem?
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Everyone starts somewhere.
Donāt let where you are now stop you from where you could go next.
Singing teachers don't always recognise how or where they are having impact on their students.
This is an opportunity to consider what you do.
The following are just ideas.
If your vision is not here, you can outline it below.
The Signature Studio. Youāve built a teaching studio with a reputation. Your method stands out, your calendarās full, and people pay more to learn from you.
The Artist Coach. You teach singers to sound like themselves. You use piano to coach phrasing, groove and artistry ā not just pitch and power. Producers and Directors call on you to coach their latest lead vocalist into dynamic memorable song delivery for live performance and in the studio
The Session Leader. You lead choirs, groups, and vocal workshops that are popular and highly sought after. You MD everything single handedly. Your name comes up regularly for masterclasses and guest panels.
The Technique Specialist. You build smart warm-ups and solve tricky vocal technique issues using range and non-generic exercise patterns ā not one-size-fits-all hacks. You are a regular guest speaker on singing pedagogy podcasts and weekend courses.
The Multi-Skilled Musician-Singer. Youāre the one they call when they need someone who can coach, play and run the rehearsal, teach the harmonies and direct the band.. You're fearless, with good reasons, and use your broad range of expertise to create unique live concerts and shows.
āSomething else (add below and go for it!)
⨠Q19. Which type of learning suits you best?
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Tick any that apply
121 lessons in person
121 lessons online
Self study videos and checklist that I could take in my own time -- with opportunity for video feedback when ready
A collection of fun short challenges I could fit around my week and would help me consistently progress
A regular weekly group session
A dedicated structured programme with a fixed end result